I put in a massive order to Hydra Head for some new releases and some older albums they have recently gotten back in stock.
The new stuff is Pelican's DVD/3" CD package that includes their recent 'Pink Mammoth' 10" plus an extra track on the CD. The DVD is live footage, interview and video. The other new release is from Ocrilim, guitarist Mick Barr's solo project.
Older albums include the softmore album from Isis' Mike Gallagher's solo project MGR, Lustmord's collaboration with the Melvins' Buzz Osborne, Aaron Turner's solo project House Of Low Culture's full length, Oxbow's CD/DVD compilation, and James Plotkin's Phantomsmasher.
From Not Not Fun Records I received the latest CD from The Goslings, a duo that has really created some interesting works recently. I have high expectations for this one. LPs from Family Underground (the description sounded interesting), the latest from Mudboy and a split between Christina Carter (Charalambides) and Pocahaunted came as well. Lots of new music I've never heard before.
Friday, February 15, 2008
Sunday, February 10, 2008
Best Of 2007
I've had a list done for awhile now but I've kept forgetting to post my favorite albums of 2007. I managed to form a top 10 but with no order. I don't like including EPs in my top 10 so I did a separate list for them. There's also a long list of honorable mentions.
Top 10 Albums (in no order):
Citay - Little Kingdom
A fantastic album that sounds like it came out in the early '70s. Featuring mellow, acoustic folk-like tracks along with psychedelic rock of the same era.
Clutch - From Beale Street To Oblivion
Now with full-time keyboard player, Clutch have continued their streak of great albums. This album might be their bluesiest to date. They just groove on every track.
Earthless - Rhythms From A Cosmic Sky
Their live show is stunning so it's no surprise they record live in the studio with minimal overdubs. Two long jams and a nice cover of the Groundhogs to end the disc.
Big Business - Here Come The Waterworks
If I had to choose a number one album, I would probably pick this one. It took 4 or 5 listens and then really clicked with me. The vocals do tend to be similar on every track but the hooks make up for it. Love the closing mellow track after they crush you.
High On Fire - Death Is This Communion
I didn't care much for their previous album so this one came as a nice surprise. Better production, a new bass player who brought new instruments to the table and some great hooks make this my favorite metal album of the year.
Raccoo-oo-oon - Behold Secret Kingdom
Although their previous releases have more of a free folk vibe, this album has more of a psychedelic rock feel to it. Some great jams on here thanks to their awesome drummer.
Nadja - Thaumogenesis
Lots of releases from Nadja in 2007 thanks to a bunch being reissued but this was my favorite of the new material. One long track that goes from blissful to crushing throughout.
Witchcraft - The Alchemist
While their influences are still clear, they now have their own identity and it's working great. From more pop sounding songs to a song in Swedish to the epic title track, it's well written album.
Om - Pilgrimage
Nothing dramatically new compared to their previous album but this is their best songwriting to date. Every track is fantastic and has its own identity.
Omar Rodriguez-Lopez - Se Dice Bisonte, No Bufalo
This might be my favorite solo album he has done so far. Plenty of variety in the styles of music he pulls from and the playing is top notch.
EP of The Year:
Torche - In Return
This was only a few tracks short of making my top 10. Can't wait to hear a new full length by them.
Rest of the EPs:
Porcupine Tree - Nil Recurring
Rameses III - Honey Rose
Bloodhorse - Bloodhorse
Nadja - Guilted By The Sun
Honorable mentions (in no order):
Tomahawk - Anonymous
Oxbow - The Narcotic Story
The Angelic Process - Weighing Souls With Sand
Assemble Head In Sunburst Sound - Ekranoplan
Titan - A Raining Sun Of Light & Love, For You & You & You
Wolves In The Throne Room - Two Hunters
Wooden Shjips - Wooden Shjips
Solace - The Black Black
Six Organs Of Admittance - Shelter From The Ash
Sir Richard Bishop - Polytheistic Fragments
Serpent Throne - Ride Satan Ride
Aluk Todolo - Descension
Reverend Bizarre - III: So Long Suckers
Porcupine Tree - Fear Of A Blank Planet
Neurosis - Given To The Rising
Mammatus - The Coast Explodes
Grinderman - Grinderman
Fu Manchu - We Must Obey
Electric Orange - Morbus
Electric Wizard - Witchcult Today
Dinosaur Jr. - Beyond
Do Make Say Think - You, You're A History In Rust
Deathspell Omega - Fas - Ite, Maledicti, In Ignem Aeternum
Circle - Katapult
Causa Sui - Free Ride
Buried At Sea - Ghost
Brant Bjork And The Bros - Somera Sol
Bass Communion & vidnaObmana - Continuum 2
Baroness - Red Album
Top 10 Albums (in no order):
Citay - Little Kingdom
A fantastic album that sounds like it came out in the early '70s. Featuring mellow, acoustic folk-like tracks along with psychedelic rock of the same era.
Clutch - From Beale Street To Oblivion
Now with full-time keyboard player, Clutch have continued their streak of great albums. This album might be their bluesiest to date. They just groove on every track.
Earthless - Rhythms From A Cosmic Sky
Their live show is stunning so it's no surprise they record live in the studio with minimal overdubs. Two long jams and a nice cover of the Groundhogs to end the disc.
Big Business - Here Come The Waterworks
If I had to choose a number one album, I would probably pick this one. It took 4 or 5 listens and then really clicked with me. The vocals do tend to be similar on every track but the hooks make up for it. Love the closing mellow track after they crush you.
High On Fire - Death Is This Communion
I didn't care much for their previous album so this one came as a nice surprise. Better production, a new bass player who brought new instruments to the table and some great hooks make this my favorite metal album of the year.
Raccoo-oo-oon - Behold Secret Kingdom
Although their previous releases have more of a free folk vibe, this album has more of a psychedelic rock feel to it. Some great jams on here thanks to their awesome drummer.
Nadja - Thaumogenesis
Lots of releases from Nadja in 2007 thanks to a bunch being reissued but this was my favorite of the new material. One long track that goes from blissful to crushing throughout.
Witchcraft - The Alchemist
While their influences are still clear, they now have their own identity and it's working great. From more pop sounding songs to a song in Swedish to the epic title track, it's well written album.
Om - Pilgrimage
Nothing dramatically new compared to their previous album but this is their best songwriting to date. Every track is fantastic and has its own identity.
Omar Rodriguez-Lopez - Se Dice Bisonte, No Bufalo
This might be my favorite solo album he has done so far. Plenty of variety in the styles of music he pulls from and the playing is top notch.
EP of The Year:
Torche - In Return
This was only a few tracks short of making my top 10. Can't wait to hear a new full length by them.
Rest of the EPs:
Porcupine Tree - Nil Recurring
Rameses III - Honey Rose
Bloodhorse - Bloodhorse
Nadja - Guilted By The Sun
Honorable mentions (in no order):
Tomahawk - Anonymous
Oxbow - The Narcotic Story
The Angelic Process - Weighing Souls With Sand
Assemble Head In Sunburst Sound - Ekranoplan
Titan - A Raining Sun Of Light & Love, For You & You & You
Wolves In The Throne Room - Two Hunters
Wooden Shjips - Wooden Shjips
Solace - The Black Black
Six Organs Of Admittance - Shelter From The Ash
Sir Richard Bishop - Polytheistic Fragments
Serpent Throne - Ride Satan Ride
Aluk Todolo - Descension
Reverend Bizarre - III: So Long Suckers
Porcupine Tree - Fear Of A Blank Planet
Neurosis - Given To The Rising
Mammatus - The Coast Explodes
Grinderman - Grinderman
Fu Manchu - We Must Obey
Electric Orange - Morbus
Electric Wizard - Witchcult Today
Dinosaur Jr. - Beyond
Do Make Say Think - You, You're A History In Rust
Deathspell Omega - Fas - Ite, Maledicti, In Ignem Aeternum
Circle - Katapult
Causa Sui - Free Ride
Buried At Sea - Ghost
Brant Bjork And The Bros - Somera Sol
Bass Communion & vidnaObmana - Continuum 2
Baroness - Red Album
Saturday, February 9, 2008
Pair Of AMT Albums And New Stuff From SL
Thanks to the Archive CD distro, the latest releases from Acid Mothers Temple have arrived. The first album is under the Melting Paraiso U.F.O. moniker and is a reissue from a vinyl only album back in 2002 with two bonus tracks. The latest from the Cosmic Inferno version of AMT has an album of new material coming in a nice mini gatefold sleeve with a pop-up.
From Southern Lord came the new CD from Earth which has been in the can for awhile now. When I saw them back in July of last year they were done recording and played a bunch of new tracks. I think they upped the ante with this one.
To celebrate Earth's tour with Sir Richard Bishop, both artists have a new "tour only" split 12" album featuring side-length tracks from Richard and Dylan. Also released was a beautiful picture disk version of Earth's 'Hibernaculum' that comes in a heavy cardboard sleeve. It's definitely one of the better sounding picture disks I've heard.
From Southern Lord came the new CD from Earth which has been in the can for awhile now. When I saw them back in July of last year they were done recording and played a bunch of new tracks. I think they upped the ante with this one.
To celebrate Earth's tour with Sir Richard Bishop, both artists have a new "tour only" split 12" album featuring side-length tracks from Richard and Dylan. Also released was a beautiful picture disk version of Earth's 'Hibernaculum' that comes in a heavy cardboard sleeve. It's definitely one of the better sounding picture disks I've heard.
Labels:
Acid Mothers Temple,
archive,
CDs,
Earth,
LPs,
Sir Richard Bishop,
Southern Lord
Friday, February 8, 2008
ATH Order #1
The first order of 2008 from All That's Heavy has arrived. I picked some new 2007 releases and reissues along with a couple of older albums.
They had great deals on the reissues of BigElf's 'Hex' and 'Closer To Doom' that I couldn't pass up. I've been meaning to pick up both of those for years now.
As far as 2007 releases go I bought the new Reverend Bizarre double album which is sadly going to be their final release as a band along with the self-titled debut from The Bakerton Group who is the band Clutch minus their singer/guitar player.
Having just gotten into Reverend Bizarre, I picked up their last album along with a double disc reissue of an older album. For a freebie I finally have Solace's 13 which is now back in print.
They had great deals on the reissues of BigElf's 'Hex' and 'Closer To Doom' that I couldn't pass up. I've been meaning to pick up both of those for years now.
As far as 2007 releases go I bought the new Reverend Bizarre double album which is sadly going to be their final release as a band along with the self-titled debut from The Bakerton Group who is the band Clutch minus their singer/guitar player.
Having just gotten into Reverend Bizarre, I picked up their last album along with a double disc reissue of an older album. For a freebie I finally have Solace's 13 which is now back in print.
Labels:
all that's heavy,
BigElf,
CDs,
Reverend Bizarre,
Solace,
The Bakerton Group
Tuesday, February 5, 2008
Gown's 'For The Maples'
The first release of what promises to be an amazing year from Three Lobed Recordings has arrived. Gown, aka Andrew MacGregor, has teamed up with Sunburned Hand Of The Man for an album titled "For The Maples". Another fantastically produced album from Three Lobed. The LP is on black 180 vinyl and comes with a pressed CD of the vinyl material in a silk screened jacket. And for pre-ordering a bonus CD has been included with a 20 minute track.
Having just spun the record for the first time, I'm loving both sides of it. The first track has some vocals on it but it's nothing but some great jamming the rest of the way out. The second side-long track is a real psychedelic rock burner. Absolutely a fantastic way to start 2008 for Three Lobed.
Having just spun the record for the first time, I'm loving both sides of it. The first track has some vocals on it but it's nothing but some great jamming the rest of the way out. The second side-long track is a real psychedelic rock burner. Absolutely a fantastic way to start 2008 for Three Lobed.
Labels:
CDs,
Gown,
LP,
Sunburned Hand Of The Man,
Three Lobed
Saturday, February 2, 2008
The Blackout Party, Earthless and Blue Cheer at the Casbah, San Diego February 1, 2008
Considering how long the headlining band has been around I was expecting a very diverse crowd (age-wise) and I was correct. Lots of older folks showing up to see the mighty Blue Cheer rock the Casbah. The house music was particularly good which is usually not the case for some shows. Turns out they had Brainticket DJ's spinning some vinyl records from the past and present.
First up was The Blackout Party. Instead of checking them out on the web before the show I decided to let their live show be my introduction to their music. They play a style of country-folk rock music with lyrics heavy on drinking, women and other topics usually associated with country and blues. I like how they have a guitarist doubling on flute and a lap slide guitar player (and apparently they also have a fiddle player). They had some nice jams but ultimately didn't suck me into their set.
Switching gears to first of two power trios for the night, Earhless continues to melt people's faces. Seems like every time I see them they are winning over people in the crowd. Reuben was on fire tonight on the kit. They're using much variation in their jams these days.
Having been around since the late 60s, Blue Cheer have been a huge influence on fuzzy, bluesy hard rock bands. The trio sounded massive with the original rhythm section of Dickie Peterson and Paul Whaley and with fantastic guitar playing from Duck MacDonald. With a mix of classics and new cuts, they got better as the set progressed. They played most of (if not all of) their debut album 'Vincebus Eruptum' with the highlights being 'Parchment Farm', 'Sumertime Blues' and a 25+ minute version of 'Doctor Please' that included a drum solo. 'Just A Little Bit' was the only song from their second album I recognized but it was enough of their classic songs to make me happy. Their new tracks blended in well and while I've only listened to their new album one time, it sounded great. It's great to these veteran rockers showing the young kids how it's done.
First up was The Blackout Party. Instead of checking them out on the web before the show I decided to let their live show be my introduction to their music. They play a style of country-folk rock music with lyrics heavy on drinking, women and other topics usually associated with country and blues. I like how they have a guitarist doubling on flute and a lap slide guitar player (and apparently they also have a fiddle player). They had some nice jams but ultimately didn't suck me into their set.
Switching gears to first of two power trios for the night, Earhless continues to melt people's faces. Seems like every time I see them they are winning over people in the crowd. Reuben was on fire tonight on the kit. They're using much variation in their jams these days.
Having been around since the late 60s, Blue Cheer have been a huge influence on fuzzy, bluesy hard rock bands. The trio sounded massive with the original rhythm section of Dickie Peterson and Paul Whaley and with fantastic guitar playing from Duck MacDonald. With a mix of classics and new cuts, they got better as the set progressed. They played most of (if not all of) their debut album 'Vincebus Eruptum' with the highlights being 'Parchment Farm', 'Sumertime Blues' and a 25+ minute version of 'Doctor Please' that included a drum solo. 'Just A Little Bit' was the only song from their second album I recognized but it was enough of their classic songs to make me happy. Their new tracks blended in well and while I've only listened to their new album one time, it sounded great. It's great to these veteran rockers showing the young kids how it's done.
Labels:
Blue Cheer,
Casbah,
concert,
Earthless,
gig,
show,
The Blackout Party
Saturday, January 19, 2008
Get Your Death On!, It's Casual and Fu Manchu at the Casbah, San Diego January 18, 2008
First show of the year and it was my first time seeing Fu Manchu live.
Opening up the show was San Diego's Get Your Death On!. I knew nothing about them going into the show so I was curious to hear what they sound like. Thankfully their sound is hard to describe. They mix elements of what people would call "indie rock", add elements of Black Sabbath inspired doom along with elements from the "jam band" scene. If I had to guess, these guys like a lot of the same music I do. Looks like they had a friend on "aux percussion" to augment their quartet. I thought they had a couple of great jams. There's a new album from them on the way and I'm looking forward to hear what they do in a studio setting. Great band to open the night.
In the middle was slotted It's Casual from Los Angeles. I knew a little about them going into the gig mainly that they are a duo on guitar and drums and their guitar player is left-handed. After a long delay as the guitar player was having trouble with his monster rig, they were off and running. These two play with a lot of energy and have a strong hardcore punk influence. You would think that a duo would have a drummer with a huge kit to take up all of the empty space but this guy had the most minimal kit I've seen - bass drum, snare, high-hat and crash symbol. That was it. Just the right band to get the crowd fired up before the Fu hit the stage.
I really don't have any excuses as to why I've yet to see Fu Manchu live (other than I was out of town when they played last year) as I've been listening to them for many years now. I've read all about their live shows and seen video footage. Well they definitely were rocking the Casbah last night. The setlist covered much of their discography, with only their first two albums and 'California Crossing' not getting any attention. The crowd was as into the music more than I've seen at any Casbah show. Perhaps due to more Orange County/L.A. presence? 'Saturn III' and 'Hogwash' and 'Anodizer' were the best jams and the highlights of the show for me. Ending the show with 'King Of The Road' was perfect. Not sure if they did an encore (it wasn't looking like it so I left), but the set ended perfectly without one.
Opening up the show was San Diego's Get Your Death On!. I knew nothing about them going into the show so I was curious to hear what they sound like. Thankfully their sound is hard to describe. They mix elements of what people would call "indie rock", add elements of Black Sabbath inspired doom along with elements from the "jam band" scene. If I had to guess, these guys like a lot of the same music I do. Looks like they had a friend on "aux percussion" to augment their quartet. I thought they had a couple of great jams. There's a new album from them on the way and I'm looking forward to hear what they do in a studio setting. Great band to open the night.
In the middle was slotted It's Casual from Los Angeles. I knew a little about them going into the gig mainly that they are a duo on guitar and drums and their guitar player is left-handed. After a long delay as the guitar player was having trouble with his monster rig, they were off and running. These two play with a lot of energy and have a strong hardcore punk influence. You would think that a duo would have a drummer with a huge kit to take up all of the empty space but this guy had the most minimal kit I've seen - bass drum, snare, high-hat and crash symbol. That was it. Just the right band to get the crowd fired up before the Fu hit the stage.
I really don't have any excuses as to why I've yet to see Fu Manchu live (other than I was out of town when they played last year) as I've been listening to them for many years now. I've read all about their live shows and seen video footage. Well they definitely were rocking the Casbah last night. The setlist covered much of their discography, with only their first two albums and 'California Crossing' not getting any attention. The crowd was as into the music more than I've seen at any Casbah show. Perhaps due to more Orange County/L.A. presence? 'Saturn III' and 'Hogwash' and 'Anodizer' were the best jams and the highlights of the show for me. Ending the show with 'King Of The Road' was perfect. Not sure if they did an encore (it wasn't looking like it so I left), but the set ended perfectly without one.
Labels:
Casbah,
concert,
Fu Manchu,
Get Your Death On,
gig,
It's Casual,
San Diego
Sunday, January 13, 2008
New Gear And A New Song
On Thursday the M-Audio Axiom 49 MIDI keyboard I ordered arrived. With 49 keys, 8 touch pads, 9 sliders, 8 dials and loads more buttons, it's feature laden controller that will do much more than I'll ever learn.
My goal is to augment my arrangements with synthesizers, keyboards and organs either in a droning fashion, a way to create different layers or perhaps add melodic element to the composition. Having no formal music training and not a clue how to really play a piano, I'll be using very simple patterns.
Two of the plugins that came with ProTools, Reason Adapted and Analog Factory, have some great presets and allow for lots of tweaking so I'm hoping to create some interesting sounds. Eventually I'd like to get GForce's MiniMonsta and M-Tron going for Minimoog and Mellotron emulation but they are not compatible with ProTools at the moment (or at least the ProTools version I have).
There's a new track on the R³ myspace page that utilizes my new microphone and one of the sequenced synth settings in Analog Factory. The song is called 'Orbiting Planet'. I tried experimenting with some different techniques. There's a track of mostly feedback with some slides and random notes played. Another track has recording my 5-string bass acoustically. There's a track with just me blowing into the mic and a track with a simple cymbal pattern. Lastly there is the synth track. I wasn't too happy with the final master as I couldn't quite get the synth mixed into the rest of the track properly.
My goal is to augment my arrangements with synthesizers, keyboards and organs either in a droning fashion, a way to create different layers or perhaps add melodic element to the composition. Having no formal music training and not a clue how to really play a piano, I'll be using very simple patterns.
Two of the plugins that came with ProTools, Reason Adapted and Analog Factory, have some great presets and allow for lots of tweaking so I'm hoping to create some interesting sounds. Eventually I'd like to get GForce's MiniMonsta and M-Tron going for Minimoog and Mellotron emulation but they are not compatible with ProTools at the moment (or at least the ProTools version I have).
There's a new track on the R³ myspace page that utilizes my new microphone and one of the sequenced synth settings in Analog Factory. The song is called 'Orbiting Planet'. I tried experimenting with some different techniques. There's a track of mostly feedback with some slides and random notes played. Another track has recording my 5-string bass acoustically. There's a track with just me blowing into the mic and a track with a simple cymbal pattern. Lastly there is the synth track. I wasn't too happy with the final master as I couldn't quite get the synth mixed into the rest of the track properly.
Thursday, January 10, 2008
New Releases From Archive and Glass Throat Recordings
Some fantastic looking releases from Archive arrived yesterday in the post. Headlining the bunch is the 2 disc album collaboration between LSD March and Bardo Pond dubbed LSD Pond. The packaging for the release is top notch and includes a booklet for the first time ever for an Archive set. The second new one from Archive is an album from Chinese guitarist Li Jianhong whom I've never heard of before. There was lots of praise for the guy so I also picked up another album by him in the distro. Rounding out the new releases is the latest from Peter Wright. Also picked up from the distro a double live album from LSD March that is limited to 500 copies and comes in a nice heavy stock gatefold-like sleeve with the discs sitting on hubs.
From Glass Throat Recordings comes a double album from The Elemental Chrysalis that was just released on the end of 2007. The double CD comes in the now typical 6"x6" six panel case with the discs on soft hubcaps. After enjoying Ruhr Hunter's 2006 release, I decided to round out the order with the previous two full length Ruhr Hunter CDs.
From Glass Throat Recordings comes a double album from The Elemental Chrysalis that was just released on the end of 2007. The double CD comes in the now typical 6"x6" six panel case with the discs on soft hubcaps. After enjoying Ruhr Hunter's 2006 release, I decided to round out the order with the previous two full length Ruhr Hunter CDs.
Sunday, January 6, 2008
Beginnings....
As mentioned in my last post of 2007, I've started to do some recordings with an MBox2 Mini using ProTools with the plugins it came with. Going directly into the box, usually through my Double Muff and/or custom "furr" pedal worked well. But what I really want to do is mic my cabinets, so I bought Carvin's CTM100 condenser tube microphone (along with a telescoping boom mic stand).
A trio of demo songs I did in before the start of 2008 are now part of a music project I've named R³. You can go to the obligatory myspace music page, located here, to sample the music I've done.
I have a couple more pieces of equipment coming and I'll have a nice recording setup.
A trio of demo songs I did in before the start of 2008 are now part of a music project I've named R³. You can go to the obligatory myspace music page, located here, to sample the music I've done.
I have a couple more pieces of equipment coming and I'll have a nice recording setup.
Labels:
Carvin,
MBox2 Mini,
mic stand,
microphone,
ProTools,
R³,
recording
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