First show of the year and it was my first time seeing Fu Manchu live.
Opening up the show was San Diego's Get Your Death On!. I knew nothing about them going into the show so I was curious to hear what they sound like. Thankfully their sound is hard to describe. They mix elements of what people would call "indie rock", add elements of Black Sabbath inspired doom along with elements from the "jam band" scene. If I had to guess, these guys like a lot of the same music I do. Looks like they had a friend on "aux percussion" to augment their quartet. I thought they had a couple of great jams. There's a new album from them on the way and I'm looking forward to hear what they do in a studio setting. Great band to open the night.
In the middle was slotted It's Casual from Los Angeles. I knew a little about them going into the gig mainly that they are a duo on guitar and drums and their guitar player is left-handed. After a long delay as the guitar player was having trouble with his monster rig, they were off and running. These two play with a lot of energy and have a strong hardcore punk influence. You would think that a duo would have a drummer with a huge kit to take up all of the empty space but this guy had the most minimal kit I've seen - bass drum, snare, high-hat and crash symbol. That was it. Just the right band to get the crowd fired up before the Fu hit the stage.
I really don't have any excuses as to why I've yet to see Fu Manchu live (other than I was out of town when they played last year) as I've been listening to them for many years now. I've read all about their live shows and seen video footage. Well they definitely were rocking the Casbah last night. The setlist covered much of their discography, with only their first two albums and 'California Crossing' not getting any attention. The crowd was as into the music more than I've seen at any Casbah show. Perhaps due to more Orange County/L.A. presence? 'Saturn III' and 'Hogwash' and 'Anodizer' were the best jams and the highlights of the show for me. Ending the show with 'King Of The Road' was perfect. Not sure if they did an encore (it wasn't looking like it so I left), but the set ended perfectly without one.
Showing posts with label San Diego. Show all posts
Showing posts with label San Diego. Show all posts
Saturday, January 19, 2008
Wednesday, November 7, 2007
Earthless, Danava, Saviours and Witchcraft at Brick By Brick, San Diego November 6, 2007
First time I've been to Brick By Brick to see a show and the lineup for the Tuesday night gig was stellar. After seeing all the shows at the Casbah, Brick By Brick feels gigantic in comparison. It was nice to have some room to roam around between sets. The downside was they opened the doors about 45 minutes late. I believe the everything did start on time however.
First up was Earthless and their broken-finger-playing guitar player. Back from a US tour (which they said was great), Earthless started off their jam in similar fashion but went into different territories afterwards. Starting with some fretboard acrobatics, they eventually went into some heavy jamming for most of the set. Definitely the heaviest set I've heard from them as it featured less guitar effects, but the excellent soloing was still intact.
Next was Danava whose first album from last year was a welcome surprise when I got it as a freebie. I loved that their bass player was out in front and playing all over the fretboard (fingerstyle!) for their seemingly brief set. My complaint about them, and perhaps this was the soundman's fault, but I couldn't hear the electronics/keyboards/synths very well. Either they really wanted them blended into the sound or something was off at the mixing board.
Saviours, the only band that I wasn't really familiar with, ripped their doom-tinged "classic" style of metal. They certainly had a nice contingent of fans for their set but I couldn't get into them. There wasn't enough uniqueness to their sound to differentiate them from the pack. It was solid metal but nothing that hasn't been done already.
The headliners for the night coming all the way from Sweden was the Black Sabbath and Pentagram influenced Witchcraft. One thing is clear right away is that they are much heavier live than on their records. Once again I loved the fact that their bass player was playing fingerstyle and all over the fretboard. It was their first showing in San Diego and the good turnout for a Tuesday night was excited they were in town. Witchcraft played a great set of tunes from their three full length releases. They seemed to be having a great time playing and hopefully they'll be back again.
First up was Earthless and their broken-finger-playing guitar player. Back from a US tour (which they said was great), Earthless started off their jam in similar fashion but went into different territories afterwards. Starting with some fretboard acrobatics, they eventually went into some heavy jamming for most of the set. Definitely the heaviest set I've heard from them as it featured less guitar effects, but the excellent soloing was still intact.
Next was Danava whose first album from last year was a welcome surprise when I got it as a freebie. I loved that their bass player was out in front and playing all over the fretboard (fingerstyle!) for their seemingly brief set. My complaint about them, and perhaps this was the soundman's fault, but I couldn't hear the electronics/keyboards/synths very well. Either they really wanted them blended into the sound or something was off at the mixing board.
Saviours, the only band that I wasn't really familiar with, ripped their doom-tinged "classic" style of metal. They certainly had a nice contingent of fans for their set but I couldn't get into them. There wasn't enough uniqueness to their sound to differentiate them from the pack. It was solid metal but nothing that hasn't been done already.
The headliners for the night coming all the way from Sweden was the Black Sabbath and Pentagram influenced Witchcraft. One thing is clear right away is that they are much heavier live than on their records. Once again I loved the fact that their bass player was playing fingerstyle and all over the fretboard. It was their first showing in San Diego and the good turnout for a Tuesday night was excited they were in town. Witchcraft played a great set of tunes from their three full length releases. They seemed to be having a great time playing and hopefully they'll be back again.
Labels:
Brick By Brick,
concert,
Danava,
Earthless,
gig,
live,
San Diego,
Saviours,
Witchcraft
Sunday, February 25, 2007
Archons, Hostile Combover, Earthless and Om at the Casbah, San Diego February 24, 2007
Wow, back to back posts on gigs! I doubt this will happen again. Despite being located up in San Francisco, this was Om's first time playing in San Diego and I wasn't going to miss it. Going to the gig I knew nothing about Archons and Hostile Combover. I didn't want to do much research on them as to not have any bias seeing them for the first time. Turns out that both are based in San Diego along with Earthless.
First up was Archons, a trio of bass, drums and guitar. Their influences seemed to be from more traditional forms of metal along with it's subgenre of doom. They would trade doom riffs with a more fast style of riffing of traditional metal which made for some long songs that had some nice variations. Their sound reminded me of the recent High On Fire album which has a similar combination of metal influences to it.
Next was Hostile Combover, the second trio of the night. I wasn't quite sure what to expect from a band with such a name and I'm still not sure who they'd compare to. They weren't heavy but have metal-esque riffing at times. They played too slow to be either punk or speed metal. For the most part their songs were long, but they didn't have the dynamics you'd see in the post-rock influenced metal bands. Their last two songs were the best when the guitarist and bassist switched instruments which created a more driving rhythm with their very solid drummer pounding away. He reminded me a bit of Dave Grohl in his style.
When Earthless came on there was more of a buzz in the room. Seems like the audience was really into them unlike the two previous shows I saw them. The played a blistering set as always that when on for a good 30+ minutes. Despite a mic problem on one of the bass amps, this was the finest set I've seen from them. I'm much looking forward to their new albums which is due in April.
Taking their time setting up, the ex-Sleep rhythm section that forms Om finally took the stage. Idiots yelling "Sleeeeep" and "play Dragonaut" peppered their set throughout. While it seemed that everyone showed up to see Om, the audience for the most part didn't seem to be into them. The set started a bit sloppy with the mellower track from their latest album 'Conference Of The Birds'. I thought it was a great way to start the show before getting into the more heavy tunes in their catalog. The wall of amps behind the duo was the largest I've seen in person and the bass filled the room and pounded on your chest, just the way I like it. I think a bigger venue with a better PA might have suited them better. I'm not sure if it was the band not into because the crowd wasn't great or vice versa, but they didn't quite live up to my high expectations for them. Still it was a very solid set and they played all my favorite songs. It was very hypnotic at times when you just close your eyes and forget everything.
So overall it was a great night. I don't think I'll ever go to a gig where actual bands (not solo artists) are playing and have the largest ensemble being a trio.
First up was Archons, a trio of bass, drums and guitar. Their influences seemed to be from more traditional forms of metal along with it's subgenre of doom. They would trade doom riffs with a more fast style of riffing of traditional metal which made for some long songs that had some nice variations. Their sound reminded me of the recent High On Fire album which has a similar combination of metal influences to it.
Next was Hostile Combover, the second trio of the night. I wasn't quite sure what to expect from a band with such a name and I'm still not sure who they'd compare to. They weren't heavy but have metal-esque riffing at times. They played too slow to be either punk or speed metal. For the most part their songs were long, but they didn't have the dynamics you'd see in the post-rock influenced metal bands. Their last two songs were the best when the guitarist and bassist switched instruments which created a more driving rhythm with their very solid drummer pounding away. He reminded me a bit of Dave Grohl in his style.
When Earthless came on there was more of a buzz in the room. Seems like the audience was really into them unlike the two previous shows I saw them. The played a blistering set as always that when on for a good 30+ minutes. Despite a mic problem on one of the bass amps, this was the finest set I've seen from them. I'm much looking forward to their new albums which is due in April.
Taking their time setting up, the ex-Sleep rhythm section that forms Om finally took the stage. Idiots yelling "Sleeeeep" and "play Dragonaut" peppered their set throughout. While it seemed that everyone showed up to see Om, the audience for the most part didn't seem to be into them. The set started a bit sloppy with the mellower track from their latest album 'Conference Of The Birds'. I thought it was a great way to start the show before getting into the more heavy tunes in their catalog. The wall of amps behind the duo was the largest I've seen in person and the bass filled the room and pounded on your chest, just the way I like it. I think a bigger venue with a better PA might have suited them better. I'm not sure if it was the band not into because the crowd wasn't great or vice versa, but they didn't quite live up to my high expectations for them. Still it was a very solid set and they played all my favorite songs. It was very hypnotic at times when you just close your eyes and forget everything.
So overall it was a great night. I don't think I'll ever go to a gig where actual bands (not solo artists) are playing and have the largest ensemble being a trio.
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